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He left in the spring because he'd always been one for grandeur and he knew she'd look to her garden for company and besides, he'd never really liked the way she always smelled of dirt and lost souls. She had wild-piano hands and turquoise-glitter eyes and sometimes, her long ivory tresses tangled over his cheeks in some semblance of Iloveyou at midnight but it always left him gasping, the weight of her touch. It always burned. Her name was Ingrid, his on-the-side Indian girl, and she was more phantom than flesh, her smiles almost translucent under the twilight-twinged sky. Mostly, he left in the spring because that's when the wolves howled the loudest and he feared the ways Ingrid's eyes became haunted by the full moon and he hated the way he always looked to the dreamcatcher on her wall to save him, save her, just let them rest peacefully for once.
Ingrid was smoke in his lungs and vanilla on his tongue and he loved the way she screamed for him late at night, a nerve-rattling yowl of desire, but he loathed the love she gave him under moons rimmed with blood. He had scars down his back from her nails and sometimes, she'd bite hard enough to draw blood and she always apologized later, a quick I'msorry, I'msorry, itwon'thappenagain...but it always did. She was animalistic and possessive and raw and sometimes, when he glanced her way, he could almost see her fading into the night.
Like a ghost. Like a ghoul.
But he loved her. Oh, how he loved her during the rest of the month and he'd fall to his knees after every fight and begherbegherbegher to stay. Please, just stay, and he followed her into the forest, her long cherry-nails beckoning, begging, beckoning more for him to let her lead him astray.
Into madness, into peace.
And he left in the spring and left her far behind and she swore to reporters, frantic-eyed and white-knuckled, that she sat up until midnight for weeks on end waiting for him to come home, knowing he had to come home because his closet was still full and his wallet was still on the counter and his voice was still on her answering machine telling her he'd be there soon, soon, soon. It was dated the day he disappeared, and she never heard from him again, but sometimes, when the moon was just close to bursting and the garden was filled with her time and her tears, she promised them she could almost hear his voice on the wind. She could almost hear him calling for home.
And they never dared to ask her what was under the roses or why there was dirt on her cheeks when they found her in a heap on the porch early that day, but they never questioned her again. She was too transparent beneath the lights of their cameras, they claimed.
Like a phantom come back from the grave.
Ingrid was smoke in his lungs and vanilla on his tongue and he loved the way she screamed for him late at night, a nerve-rattling yowl of desire, but he loathed the love she gave him under moons rimmed with blood. He had scars down his back from her nails and sometimes, she'd bite hard enough to draw blood and she always apologized later, a quick I'msorry, I'msorry, itwon'thappenagain...but it always did. She was animalistic and possessive and raw and sometimes, when he glanced her way, he could almost see her fading into the night.
Like a ghost. Like a ghoul.
But he loved her. Oh, how he loved her during the rest of the month and he'd fall to his knees after every fight and begherbegherbegher to stay. Please, just stay, and he followed her into the forest, her long cherry-nails beckoning, begging, beckoning more for him to let her lead him astray.
Into madness, into peace.
And he left in the spring and left her far behind and she swore to reporters, frantic-eyed and white-knuckled, that she sat up until midnight for weeks on end waiting for him to come home, knowing he had to come home because his closet was still full and his wallet was still on the counter and his voice was still on her answering machine telling her he'd be there soon, soon, soon. It was dated the day he disappeared, and she never heard from him again, but sometimes, when the moon was just close to bursting and the garden was filled with her time and her tears, she promised them she could almost hear his voice on the wind. She could almost hear him calling for home.
And they never dared to ask her what was under the roses or why there was dirt on her cheeks when they found her in a heap on the porch early that day, but they never questioned her again. She was too transparent beneath the lights of their cameras, they claimed.
Like a phantom come back from the grave.
Literature
now you know better
you were never one for shakespeare's iambic pentameter,
so you nixed the meter and measure the gods composed
and wrote your own sonnet in time with the beat of your heart
and the shiver of your tapered spine.
instead of crisp and company issued egg shell paper,
you dragged the pen you bought yourself back in sixth grade
across the smooth canvas of tanned skin, littered with sunset bruises
and did not mind the clashing of colours.
you always wondered if it were true what the newsstands said,
that art flutters to life when misery takes shape
but you never really believed such nonsense,
until your spine shattered, your inkwell ran dr
Literature
A fairy tale without lies
When I used to think of you,
I'd look at that picture of you with that fairy tale smile,
The puffiness underneath your eyes,
A smoldering feature beneath the longing pain coloring the background of my mind.
So my first impression of you was maybe a bit off,
As are my denials,
Of our heart connection,
And that maybe someday I will find you the one to see in love.
People talk about all the things in life to go back to.
I only think of you to hold on to.
And every touch of your love sends warmth in a way,
Where I could almost smell a fairy tale without lies.
Literature
how it echoes, disgusting
a poem about dirty rain
blood thinning with whiskey swallowing
hair thinning from the cancer;
places to hide and reasons for the heaviness
what weighs our brains down
vomitous and tangled;
a poem about the music
where it comes from, where it goes
and the loneliness
why it happens and why it stays.
a poem about gross bodies
once clean and once touched;
breathing air stale and dark
looking into her mirror to see
that she is crying, little girl,
lost; little bones, shaking;
tears in her kitten's fur.
a sadness that breathes
in the fog and can be heard
through the walls.
film over our eyes and
this is how we sleep,
this is w
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A rework of Like the Full Moon, He's Gone.
I think I like this version better.
And yes, I'll be working more on this later.
October 2010
I think I like this version better.
And yes, I'll be working more on this later.
October 2010
© 2010 - 2024 betwixtthepages
Comments8
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I really enjoyed reading this piece. It keeps you reading to the end. The imagery is perfect and the use of words is definitely in point. I like the way it flows, too. Almost flawlessly. There were a couple of places where I had to go back and re-read just because the words seemed a bit out of place but overall, I enjoyed how the piece just...works.
It's almost like, at the beginning, we're looking through the man's eyes and then at the end, we're looking through the eyes of an unseen ghost. Maybe his soul? I really loved this. <img src="e.deviantart.net/emoticons/s/s…" width="15" height="15" alt="" title=" (Smile)"/>